I guess everyone would agree that the premise of James DeMonaco’s The Purge is rather interesting: in 2022 America where 99 percent of the population is employed and the crime rate is at an all time low, there is an annual “purge” that allows people to unleash their inner psychopath.
Once a year, for 12 hours, all crimes including murder become legal and government aids such as health and police services are suspended. This idea is rife with opportunities for socio-political commentary, and the film is well aware of it. But despite being set in a thriving, wealthy society, the film zooms in to violent criminal activities reminiscent of the urban ghetto.
Right off the bat, we see a montage of various street crimes for which the baseball bat is the no. 1 weapon of choice. The news soundbytes also tell us that this annual sociopath party is criticized for being just another way to “eliminate the poor.”
This brings me to the first of two major contentions I have against this dystopian world the film has created: it asserts that murdering poor people is the key to a much better economy. It took “beating poverty” to a literal level, which is funny but only in retrospect.
Sure, this flawed logic is primarily espoused by the movie’s antagonists who are huge wackos, but it also serves as the main motivation behind the film’s conflict. And unfortunately, this stupid assertion leaves the audience (or me, fine) to either ignore the faulty and shallow analysis or to disregard character development altogether and just accept that the villains are driven by insanity and nothing more.
Stanley Kubrick’s Dr. Strangelove is strangely not about its eponymous character. The doctor was only in three major scenes in this movie that is ultimately a satirical take on the 50s nuclear war tension when the Cold War was at its iciest.
Pitch Perfect 2 was a pain to watch, especially for those like me who wanted to like it so bad. The first movie, while not a cinematic masterpiece, was decently charming. This time, however, the novelty of the “a cappella” theme was not enough to compensate for terrible writing and crappy direction.
Should have listened to people when they told me it was one of the best — if not the best — films of 2011. Carey Mulligan was cute, as usual, and Ryan Gosling was surprisingly charming. I say “surprisingly” because I never really thought of him as The Dream Boy every girl (at least according to Buzzfeed articles) makes him out to be.
The story was neatly laid out, well-paced and used no convenient coincidences just to keep the actions going. Certain scenes screamed of tension I don’t usually get even from high-budget action films. No elaborate fight scenes but there were sleek car chases. The silence (when Gosling and Blanche were waiting for Standard to come out of the pawnshop) and the music (“real human being…”) were perfect.