On Sid & Aya (Not a Love Story)

It is precisely the parenthetical reminder in the title that compels me to pay closer attention to Irene Villamor’s Sid & Aya (Not A Love Story). The textual framing calls attention to itself. It is gimmicky, sure, but it is also an unveiling of directorial intent and an invitation for the viewers to examine what exactly makes this movie not a love story.

From this examination stems what I deem to be the film’s ambition. Sid & Aya centers on the familiar Rich Boy Poor Girl coupling, but it swerves around the typical trajectory from Meet-cute to Happily Ever After. The film instead parses a familiar premise and plays around the tried-and-tested formula of the cross-class romance genre [1].

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