An interesting query I found in last week’s Search Terms:
My post has a few examples, but it doesn’t explicitly state which lines count as personification. Hopefully the kids who were searching still found it helpful; I bet you they were actual kids cramming for an English or Filipino assignment. 🙂
Anyhow, I decided to do some further digging and write about the different ways figurative language has featured in OPM lyrics. I initially wanted to explore at least 10 figures of speech, but because I tend to get way too chatty about these things, I eventually narrowed them down to three: simile, metaphor, and personification.
Continue reading “Searching 3.0: OPM and Figures of Speech”
First, a disclaimer: these lyrics are by no means the best of the best of the best. And, more importantly, I am in no way an expert on OPM.
In fact, as I was writing this list, I realized that I barely listen to OPM anymore. The only new releases I’m aware of are those from Viva Records and Star Music. But beyond those tried-and-tested pop hits, my playlist holds no recently released music in Filipino or — for those who aren’t as pedantic about the language vs. dialect distinction — Tagalog.
So the following lyrics are from old OPM favorites. I considered including songs written in English but eventually decided against it. (Let’s save those for another list, maybe?) And if you have any OPM recommendations, you’re more than welcome to enlighten my ignorant, overseas ass.
Palayain ang isa’t isa / kung tayo, tayo talaga
Session Road’s “Cool Off” deserves a spot in one of each of those #hugot playlists that proliferate pop websites these days. I noticed those lists are mostly laden with ballads or pogi rock sludge but — since when did it become cool to openly admit liking Cueshe anyway? Hm.
Continue reading “10 of my favorite OPM lyrics”